The Creative Regions Lab aims to redefine creative activity in regional Australia to create regional futures. We are a teaching and research hub that drives the development of creative enterprises and activities in regional Australia.
Our core function is to conduct research, identify themes, invent industries, direct, coordinate,respond, and promote all projects nationally and internationally.
We operate through projects that combine the culture of regional creativity and innovation with the invention of new productivity possibilities.
The Land Dialogues Conference will take place on the 13th, 14th and 15th of April 2016 at Charles Sturt University on its Wagga Wagga Campus.
CSU academic, Dr Damian Candusso, was part of the team that won an Oscar this week for sound design on Mad Max: Fury Road.
Members of the public are once again invited to sit for a portrait by recent Archibald Prize Finalist Tony Curran – but this time there's a catch. Curran is asking people to pose for a portrait in the company of a complete stranger.
Margaret Woodward & Craig Bremner have a book chapter in the book Creative Communities: Regional Inclusion and the Arts, edited by Janet McDonald and Robert Mason.
The Tourism Telemetry project explores the humble souvenir as a form of telemetry – transmitting distant receptions into the stations of everyday life. Employing the lens of tourism and cultural identity in order to challenge notions of place, home, utopias and ‘remote’ islands, the project will construct a series of intriguing narratives between the islands of Iceland and Tasmania.
Project author: Margaret Woodward
The data gathered in this project will provide a range of oral history material and artefacts for, the playwrights (in order to be inspired to write plays initiated from engaging with the data) and, for curators and archivists (in order to create a historical record of people's lived experiences of Mayday Hills). The researchers hope to use both the data generated from the initial data collection phase of the project as well as critically reflect on the ways in which playwrights, and others who access the material, interpret and represent the same data.
Project author: Jenni Munday and Emma Kearney