Jenni Munday

Research interests

Jenni has been creating works in the Visual and Performing Arts for many years.  She is known for her innovative performances in spaces other than theatres, several of which have had successful Australian productions, including Tom’s Women, by Geoffrey Sykes, which toured regional Victoria and New South Wales and was well reviewed at the Adelaide Fringe Festival.

She has also worked overseas with Flush Ink Productions in Kitchener, Ontario, Canada, on site-specific works, and has had a residency with the American Place Theatre Company in New York, who specialise in adapting novels for live performance.

In regional New South Wales and Victoria she has been commissioned to create several visual works, including:

  • Devil Grin: digital photograph, poem and soundscape included in the travelling exhibition Cargo.
  • Multimedia work to illustrate a chapter in Murray Time, a progressive novel
  • Heart of art installation in Albury shopfront;
  • High and dry, ephemeral artwork with Ken Raff as part of …such fertile ground…

Works resulting from two arts residencies in Iceland have been included in Endangered exhibition at Ambush gallery in Sydney at the end of 2024. And Cries from the Anthropocene which was held at the H.R.Gallop gallery in March 2024, and at The Chapel, Australian Centre for Christianity and Culture, Canberra during April 2024.

Jenni has been awarded another arts residency in 2025 at Studio Faire in Nérac, France.

Jenni Munday